poems

Quay. "Ars Poetica." Forthcoming. Spring, 2007.

Quarter Past Eight. “Notes Toward Fearlessness.” 13 (2007): 24-32

Painted Bride Quarterly. “To Rozanne.” 75:3 (2006): 219.

Karamu. “Ex Voto.” 19:2 (2005): 28.

Writing on the Edge. "Pedagogy and the Secret Syllabus" and "Dear B (Lines)."15:2 (2005): 59-66.

Sentence: A Journal of Prose Poetics, Fall 2004: "Notes Toward Everything."

Pif Magazine, June 2001. "Piano."

Cimarron Review, Summer 2001: “Spot,” “Great Age of Shoes,” “Funny Language.” “Dear B,” “Dear B P.S.” and “Dear B (Lines).” 1998. “August Window” and “Above Highway 101 and Humboldt Bay.”

Lake Region Review. January 1994: “Remake the Goddamned World” and “Patti’s Dad.”

Dominion Review. Spring 1993: “The Starlight Theater.”

Sonora Review, 1993, Merging Genres finalist: "Least Weasel" and "The Thinker."

Mississippi Review. Spring 1992: “American Dream.”

Mid-American Review 11:1 (1991): “Here and There” and "Country of Thistle."

Gulf Coast, A Journal of Literature and Art 3.2 (1990): “Names and Living Things” and "Exits."

The American Poetry Association Anthology, 1988: “Home,” “Piano,” and “Untitled.” ($1,000 prize).

The Kenyon Review. 9.1 (1987: “Garden Story" and “Owl.” ”

Pavement. Summer 1983: “Blind Man on Market Street” and"The Stars of Jupiter'sDarling." Spring 1982: “Meditation on Coat Hangers.”

Toyon. Spring 1981: “Noon at Wedding Rock, “Noon at the Mad River,” "Ishi."

Locally:

Carbon World, 2005: "The Ed and Wilbur Accords," "Convolution," "How I Choose It," "To Pablo Neruda."

Red Weather, Spring 2004: "Joe."

Carbon World, Spring 2002 (featured writer): "Maenads," "Seizing the Signs," "Dear B," "Dear B, P.S.," and "Blind Man on Market Street." 2001: "In Memoriam." 1998: (featured writer): "Big Purple See" and "Too Tall Tom."

Pith. 26 January, 2001: A1: “Manifest DENsity and Fabulous Gaps.”

Shining Times. Spring 1998: “Too Tall Tom.”

Aluminum Canoe. Limited Editions. 1995: “August Window.” 1989: “Two Dakota Diaries.”