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Department of English
North Dakota State University
322 F Minard Hall
NDSU Dept. 2320
FARGO, ND 58108-6050

Phone: (701) 231-7152
E-mail: verena.theile@ndsu.edu

 

 


Selected Bibliography for Twelfth Night
 
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
 

Ake, Jami. “Glimpsing a ‘Lesbian’ Poetics in Twelfth Night.” SEL: Studies in English Literature, 1500-1900 43.2 (2003): 375-94.

Astington, John. “Malvolio and the Eunuchs: Texts and Revels in Twelfth Night.” Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 46 (1993): 23-34. top

Bauer, Matthias. “Count Malvolio, Machevill, and Vice.” Connotations: A Journal for Critical Debate 1.3 (1991): 224-43.

Bloom, Harold. “The High Comedies: Twelfth Night.” Shakespeare: The Invention of the Human. New York: Riverhead Books, 1998. 226-248.

Bristol, Michael D. “The Festive Agon: The Politics of Carnival.” Twelfth Night. Ed. R. S. White. New York: St. Martin’s, 1996. 72-81. top

Cahill, Edward. “The Problem of Malvolio.” College Literature 23.2 (1996): 62-82.

Callaghan, Dympna. “‘And All Is Semblative a Woman’s Part’: Body Politics and Twelfth Night.” Twelfth Night. Ed. R. S. White. New York: St. Martin’s, 1996. 129-59.

Charles, Casey. “Gender Trouble in Twelfth Night.” Theatre Journal 49.2 (1997):121-41. top

Daalder, Joost. “Perspectives of Madness in Twelfth Night.” English Studies: A Journal of English Language and Literature 78.2 (1997): 105-10.

Dean, Paul. “‘Nothing That Is So Is So’: Twelfth Night and Transubstantiation.” Literature & Theology: An International Journal of Religion, Theory, and Culture 17.3 (2003): 281-97. top

Elam, Keir. “‘In What Chapter of His Bosom?’: Reading Shakespeare’s Bodies.” Alternative Shakespeares, II. Eds. John Drakakis and Terence Hawkes. London: Routledge, 1996. 140-63.

Elam, Keir. “The Fertile Eunuch: Twelfth Night, Early Modern Intercourse, and the Fruits of Castration.” Shakespeare Quarterly 47.1 (1996): 1-36.

Everett, Barbara. “Or What You Will.” Twelfth Night. Ed. R. S. White. New York: St. Martin’s, 1996.  194-213. top

Greenblatt, Stephen. “Fiction and Friction.” Ed. R. S. White. Twelfth Night. New York: St. Martin’s, 1996. 92-128.

Gregor, Keith. “Effeminate Suitors and Masterly Wives: Shakespeare’s Puritanism.” Proceedings of the 20th International AEDEAN Conference. Eds. P. Guardia and J. Stone. Barcelona: Universitat de Barcelona, 1997. 485-90. top

Habermann, Ina. “Breathing Stones: Shakespeare and the Theatre of the Passions.” Shakespeare Jahrbuch 140 (2004): 11-27.

Hartman, Geoffrey H. “Shakespeare’s Poetical Character in Twelfth Night.” Twelfth Night. Ed. R. S. White. New York: St. Martin’s, 1996. 16-36.

Hodgdon, Barbara. “Sexual Disguise and the Theatre of Gender.” The Cambridge Companion to Shakespearean Comedy. Ed. Alexander Leggatt. Cambridge: Cambridge UP, 2002. 179-197.

Hunt, Maurice. “Love, Disguise, and Knowledge in Twelfth Night.” College Language Association Journal 32.4 (1989): 484-493.

Hunt, Maurice. “Malvolio, Viola, and the Question of Instrumentality: Defining Providence in Twelfth Night.” Studies in Philology 90.3 (1993): 277-97.

Hunt, Maurice. “The Religion of Twelfth Night.” College Language Association Journal 37.2 (1993): 189-203.

Hutson, Lorna. “On Not Being Deceived: Rhetoric and the Body in Twelfth Night.” Texas Studies in Literature and Language 38.2 (1996): 140-74. top

Jardine, Lisa. “Twins and Travesties: Gender, Dependency, and Sexual Availability in Twelfth Night.” Erotic Politics: Desire on the Renaissance Stage. Ed. Susan Zimmerman. New York: Routledge, 1992. 27-38.

Jones, Ann Rosalind. “Revenge Comedy: Writing, Law, and the Punishing Heroine in Twelfth Night, The Merry Wives of Windsor, and Swetnam the Woman-Hater.” Ed. Gillian Murray Kendall. Shakespearean Power and Punishment: A Volume of Essays. Madison, NJ: Associated UP, 1998. 23-38. top

Kerrigan, John. “Secrecy and Gossip in Twelfth Night.” Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 50 (1997): 65-80.

Krieger, Elliot. “Twelfth Night: ‘The Morality of Indulgence.’” Twelfth Night. Ed. R. S. White. New York: St. Martin’s, 1996. 37-71. top

Lake, James. “The Psychology of Primacy and Recency Effects upon Audience Response in Twelfth Night.” Upstart Crow 15 (1995): 26-34. top

Malcolmson, Cristina. “‘What You Will’: Social Mobility and Gender in Twelfth Night.” Twelfth Night. Ed. R. S. White. New York: St. Martin’s, 1996. 160-93.

Marciano, Lisa. “The Serious Comedy of Twelfth Night: Dark Didacticism in Illyria.” Renascence: Essays on Values in Literature 56.1 (2003): 3-19.

Markels, Julian. “Shakespeare’s Confluence of Tragedy and Comedy: Twelfth Night and King Lear.” Shakespeare Quarterly 15.2 (1964): 75-88. top

Neely, Carol Thomas. “Destabilizing Lovesickness, Gender, and Sexuality: Twelfth Night and As You Like It.” Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. Ithaca, NY: Cornell UP, 2004. 99-135.

Nuttall, A. D. “Some Shakespearean Openings: Hamlet, Twelfth Night, The Tempest.” The Arts of Performance in Elizabethan and Early Stuart Drama: Essays for G. K. Hunter. Eds. Murray Biggs, Philip Edwards, Inga-Stina Ewbank, and Eugene M. Waith. Edinburgh: Edinburgh UP, 1991. 84-95. top

Peat, Derek. “Mad for Shakespeare: A Reconsideration of the Importance of Bedlam.” Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies 21.1 (2004): 113-32.

Percec, Dana. “Transvestism as Bricolage: A Reading of Shakespeare’s Twelfth Night and As You Like It.” B. A. S.: British and American Studies 9 (2003): 7-13. top

Rackin, Phyllis. “Androgyny, Mimesis, and the Marriage of the Body Heroine on the Renaissance Stage.” PMLA: Publications of the Modern Language Association of America 102.1 (1987): 29-41.

Ratcliffe, Stephen. “‘Conceal Me What I Am’: Reading the Second Scene of Twelfth Night.” University of Mississippi Studies in English 11-12 (1993-1995): 195-225.

Relihan, Constance C. “Erasing the East from Twelfth Night.” Race, Ethnicity, and Power in the Renaissance. Ed. Joyce Green MacDonald. Madison, NJ: Associated UP, 1997. 80-94. top

Schleiner, Winfried. “The Feste-Malvolio Scene in Twelfth Night against the Background of Renaissance Ideas about Madness and Possession.” Deutsche Shakespeare Gesellschaft West: Jahrbuch (1990): 48-57.

Scott-Waren, Jason. “When Theaters Were Bear-Gardens; or, What’s at Stake in the Comedy of Humors.” Shakespeare Quarterly 54.1 (2003): 63-82.

Shannon, Laurie. “Nature’s Bias: Renaissance Homonormativity and Elizabethan Comic Likeness.” Modern Philology: A Journal Devoted to Research in Medieval and Modern Literature 98.2 (2000): 183-210.

Sweeney, Brian D. “Call Me Cesario: Metonymy, Desire, and Transgressive Sexualities in Twelfth Night.” Theatron (2003): 6-15. top

Taylor, Mark. “Letters and Readers in Macbeth, King Lear, and Twelfth Night.”  Philological Quarterly 69.1 (1990): 31-53.

Tennenhouse, Leonard. “Power on Display: The Politics of Shakespeare’s Genres.” Twelfth Night. Ed. R. S. White. New York: St. Martin’s, 1996. 82-91.

Tobin, J. J. M. “A Response to Matthias Bauer: ‘Count Malvolio, Machevill, and Vice.’” Connotations: A Journal for Critical Debate 2.1 (1992): 76-81.

Traub, Valerie. “The Homoerotics of Shakespearean Comedy.” Shakespeare, Feminism and Gender.  Ed. Kate Chedgzoy. Basingstoke, England: Palgrave, 2001. 135-60. top

Woodbridge, Linda. “‘Fire in Your Heart and Brimstone in Your Liver’: Towards an Unsaturnalian Twelfth Night.” Southern Review: Literary and Interdisciplinary Essays 17.3 (1984): 270291. top

Yachnin, Paul. “Reversal of Fortune: Shakespeare, Middleton, and the Puritans.” ELH 70.3 (2003): 757-86. top

 
Last updated August 2008