Acheson, Katherine O. “Hamlet, Synecdoche and History: Teaching the Tropes of 'New Remembrance.’” College Literature 31.4 (2004): 111-34.

Adelman, Janet. “‘Man and Wife is One Flesh’: Hamlet and the Confrontation with the Maternal Body.” Case Studies in Contemporary Criticism: Hamlet. Ed. Susanne L. Wofford. Boston: St. Martin’s Press, 1994. 256-82.

Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to The Tempest. New York: Routledge, Chapman & Hall, 1992.

Aebischer, Pascale. “Not dead? Not yet quite dead?': Hamlet's Unruly Corpses.” Shakespeare's Violated Bodies: Stage and Screen Performance. Cambridge: Cambridge UP, 2003.

Alter, Iska. “‘To see or not to see’: Interpolations, Extended Scenes, and Musical Accompaniment in Kenneth Branagh's Hamlet.” Stage Directions in Hamlet: New Essays and New Directions. Eds. Hardin L. Aasand and Eric Rasmussen. Madison, NJ: Associated UP, 2003.

Armstrong, Philip. “Watching Hamlet Watching: Lacan, Shakespeare, and the Mirror/Stage.” Alternative Shakespeares, II. Eds. John Drakakis and Terence Hawkes. London: Routledge, 1996. 216-37.

Atchley, Clinton P. E. “Reconsidering the Ghost in Hamlet: Cohesion or Coercion?” Philological Review 28.2 (2002): 5-20. top

Baughn, Gary. “The Skull beneath the Skin: Truth and Death in Hamlet.” Journal of the Wooden O Symposium 2 (2002): 9-27.

Beckwith, Sarah. “Stephen Greenblatt's Hamlet and the Forms of Oblivion.” Journal of Medieval and Early Modern Studies 33.2 (2003): 261-80.

Bloom, Harold. “The Great Tragedies: Hamlet.” Shakespeare: The Invention of the Human. New York: Riverhead Books, 1998. 383-431.

Brailow, David G. “‘Tis heere. ‘Tis gone’: The Ghost in the Text.” Stage Directions in Hamlet: New Essays and New Directions. Eds. Hardin L. Aasand and Eric Rasmussen. Madison, NJ: Associated UP, 2003.

Bristol, Michael D. “‘Funeral-Bak’d Meats’: Carnival and the Carnivalesque in Hamlet.” Case Studies in Contemporary Criticism: Hamlet. Ed. Susanne L. Wofford. Boston: St. Martin’s Press,1994. 348-367.

Bronfen, Elisabeth. “The Conspiracy of Gender: Hamlet’s and Ophelia’s Passionate Histrionics.” Shakespeare Jahrbuch 140 (2004): 66-80.

Brotton, Jerry. “Ways of Seeing Hamlet.” Hamlet: New Critical Essays. Ed. Arthur F. Kinney. New York: Routledge, 2002. 161-176. top

Cavell, Stanley. “Hamlet's Burden of Proof.” Disowning Knowledge in Seven Plays of Shakespeare. Cambridge: Cambridge UP, 2003.

Coddon, Karin S. “‘Suche Strange Desygnes’: Madness, Subjectivity, and Treason in Hamlet and Elizabethan Culture.” Case Studies in Contemporary Criticism: Hamlet. Ed. Susanne L. Wofford. Boston: St. Martin’s Press,1994. 380-402. top

Danner, Bruce. “Speaking Daggers.” Shakespeare Quarterly 54.1 (2003): 29-62.

De Grazia, Margreta. “Teleology, Delay, and the ‘Old Mole.’” Shakespeare Quarterly 50.3 (1999): 251-67.

De Grazia, Margreta. “When Did Hamlet Become Modern?” Textual Practice 17.3 (2003): 485-503, 612.

Deans, Thomas. “Writing, Revision, and Agency in Hamlet.” Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 15.1 (2003): 223-43. top

Foakes, R. A. “Hamlet’s Neglect of Revenge.” Hamlet: New Critical Essays. Ed. Arthur F. Kinney. New York: Routledge, 2002. 85-100.

Freeman, John. “This Side of Purgatory: Ghostly Fathers and the Recusant Legacy in Hamlet.” Shakespeare and the Culture of Christianity in Early Modern England. Eds. Dennis Taylor and David N. Beauregard. Studies in Religion and Literature 6. New York: Fordham UP, 2003. 222-59. top

Goldberg, Jonathan. “Hamlet's Hand.” Shakespeare's Hand. Minneapolis: U of Minnesota P, 2003.

Greenblatt, Stephen. “Bewitching the King.” Will in the World: How Shakespeare Became Shakespeare. New York: W. W. Norton & Company, 2004. 323-55. top

Greenblatt, Stephen. “Remember Me.” Hamlet in Purgatory.  Princeton: Princeton UP, 2001. 205-257.

Greenblatt, Stephen. “Staging Ghosts.” Hamlet in Purgatory.  Princeton: Princeton UP, 2001. 151-204.

Grossman, Marshall. “Hamlet and the Genders of Grief.” Grief and Gender: 700-1700. Eds. Jennifer C. Vaught, Lynne Dickson Bruckner, and David Lee Miller. New York: Palgrave, 2003. 177-93.

Hadfield, Andrew. “The Power and Rights of the Crown in Hamlet and King Lear: ‘The King-the King's to Blame.’” Review of English Studies 54.217 (2003): 566-86.

Hirsh, James. “Hamlet's Stage Directions to the Players.” Stage Directions in Hamlet: New Essays and New Directions. Eds. Hardin L. Aasand and Eric Rasmussen. Madison, NJ: Associated UP, 2003. 47-73.

Hollm, Jan. “Streamlining Multicultural Feminism: Shakespearean Traits in Disney's The Lion King.” Eds.  Sandra Carroll, Birgit  Pretzsch, and Peter Wagner. Framing Women: Changing Frames of Representation from the Enlightenment to Postmodernism. Tübingen: Niemeyer, 2003. 283-94. top

Kilroy, Gerard. “Requiem for a Prince: Rites of Memory in Hamlet.” Theatre and Religion: Lancastrian  Shakespeare. Eds. Richard Dutton, Alison Findlay, and Richard Wilson. Manchester: Manchester UP, 2003. 143-60. top

Levin, Richard. “Hamlet, Laertes, and the Dramatic Functions of Foils.” Hamlet: New Critical Essays. Ed. Arthur F. Kinney. New York: Routledge, 2002. 215-30.

Levy, Eric P. “The Mind of Man in Hamlet.” Renascence: Essays on Values in Literature 54.4 (2002): 218-33.

Levy, Eric P. “Universal versus Particular: Hamlet and the Madness in Reason.” Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 14.1 (2002): 99-125.

Levy, Eric P. “‘What Is a Man’: Hamlet and the Problematics of Man.” Viator: Medieval and Renaissance Studies 33 (2002): 377-93.

Loberg, Harmonie. “Queen Gertrude: Monarch, Mother, Murderer.” Atenea 24.1 (2004): 59-71. top

Macdonald, Ronald R. “The Unheimlich Maneuver: Antithetical Ways of Power in Shakespeare.” Ed. Gillian Murray Kendall. Shakespearean Power and Punishment. Madison, NJ: Associated UP, 1998. 197-209.

Mallin, Eric S. “Inscribing the Time: Shakespeare and the End of Elizabethan England.” New Historicism: Studies in Cultural Poetics 33. Berkeley: U of California P, 1995.

Marshall, Cynthia. “Sight and Sound: Two Models of Shakespearean Subjectivity on the British Stage.” Shakespeare Quarterly 51.3 (2000): 353-61.

Marzola, Alessandra. “Hamlet and the Revenge of Memory.” Linguistica e Filologia 14 (2002): 235-55.

Mason, Pamela. “‘...and Laertes’: The Case against Tidiness.” Stage Directions in Hamlet: New Essays and New Directions. Eds. Hardin L. Aasand and Eric Rasmussen. Madison, NJ: Associated UP, 2003. top

Neely, Carol Thomas. “Reading the Language of Distraction: Hamlet, Macbeth, King Lear.” Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. Ithaca: Cornell UP, 2004. 46-68.

Nuttall, A. D. “Some Shakespearean Openings: Hamlet, Twelfth Night, The Tempest.” The Arts of Performance in Elizabethan and Early Stuart Drama: Essays for G. K. Hunter. Eds. Murray Biggs, Philip Edwards, Inga-Stina Ewbank, and Eugene M. Waith. Edinburgh: Edinburgh UP, 1991. 84-95.

Nyberg, Lennart. “Hamlet, Student, Stoic-Stooge?” Cultural Exchange between European Nations during the Renaissance. Eds. Gunnar Sorelius and Michael Srigley. Acta Universitatis Upsaliensis, Studia Anglistica Upsaliensia 86. Uppsala: Uppsala UP, 1994. 123-32. top

Paster, Gail Kern. “The Body and Its Passions.” Shakespeare Studies 29 (2001): 44-50.

Pearlman, E. “Shakespeare at Work: The Invention of the Ghost.” Hamlet: New Critical Essays. Ed. Arthur F. Kinney. New York: Routledge, 2002.71-84.

Pye, Christopher. The Vanishing: Shakespeare, the Subject, and Early Modern Culture. Durham: Duke UP, 2000. top

Rosenberg, Marvin. “To Know a Shakespeare Character.” Shakespeare: Text and Theater: Essays in Honor of Jay L. Halio. Eds. Lois Potter, Arthur F. Kinney, and Barbara Silverstein. Newark: Associated UP, 1999. 163-69.

Rothwell, Kenneth S. “Hamlet in Silence: Reinventing the Prince on Celluloid.” The Reel Shakespeare: Alternative Cinema and Theory. Eds. Lisa S. Starks and Courtney Lehmann. Madison, NJ: Associated UP, 2002. 25-40.

Rust, Jennifer. “Wittenberg and Melancholic Allegory: The Reformation and Its Discontents in Hamlet.” Shakespeare and the Culture of Christianity in Early Modern England. Eds. Dennis Taylor and David N. Beauregard. Studies in Religion and Literature 6. New York: Fordham UP, 2003. 260-86. top

Sacks, David Harris. “Imagination in History.” Shakespeare Studies 31 (2003): 64-86.

Sadowski, Piotr. “The ‘Dog’s Day’ in Hamlet: A Forgotten Aspect of the Revenge Theme.” Shakespeare and His Contemporaries: Eastern and Central European Studies. Eds. Jerzy Limon and Jay L. Halio. Newark: Associated UP, 1993. 159-68.

Schalkwyk, David. “Historicism in Purgatory.” Pretexts: Literary and Cultural Studies 11.1 (2002): 75-92.

Showalter, Elaine. “Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism.” Case Studies in Contemporary Criticism: Hamlet. Ed. Susanne L. Wofford. Boston: St. Martin’s Press, 1994. 220-240.

Smidt, Kristian. “Politicians, Courtiers, Soldiers, and Scholars: Type Characters in Hamlet.” English Studies: A Journal of English Language and Literature 57 (1976): 337-47.

Smidt, Kristian. “The ‘Mobled Queen’ and the ‘Sweet Prince’: Observations on the Composition of Shakespeare’s Hamlet.” Edda: Scandinavian Journal of Literary Research 4 (1987): 347-360.

Srigley, Michael. “‘Heavy-Headed Revel East and West’: Hamlet and Christian IV of Denmark.” Shakespeare and Scandinavia: A Collection of Nordic Studies. Ed. Gunnar Sorelius. Newark: U of Delaware P, 2002. 168-92.

Srigley, Michael. “Hamlet, ‘the Law of Writ,’ and the Universities.” Studia Neophilologica: A Journal of Germanic and Romance Languages and Literature 66.1 (1994): 35-46.

Srigley, Michael. “Hamlet's Prophetic Soul.”  Studia Neophilologica: A Journal of Germanic and Romance Languages and Literature 58.2 (1986): 205-214.

Starks, Lisa S. “‘Remember Me’: Psychoanalysis, Cinema, and the Crisis of Modernity.” Shakespeare Quarterly 53.2 (2002): 181-200.

Stevenson, Ruth. “Hamlet's Mice, Motes, Moles, and Minching Malecho.” New Literary History: A Journal of Theory and Interpretation 33.3 (2002): 435-59. top

Thompson, Ann and Neil Taylor. “‘Father and Mother Is One Flesh’: Hamlet and the Problems of Paternity.” Paternity and Fatherhood: Myths and Realities. Ed. Lieve Spaas. New York: St. Martin's, 1998. 246-58.

Thompson, Ann and Neil Taylor. “‘O That This Too Too XXXXX Text Would Melt’: Hamlet and the Indecisions of Modern Editors and Publishers.” Text: An Interdisciplinary Journal of Textual Studies 10 (1997): 221-36.

Thompson, Ann and Neil Taylor. “‘Your Sum of Parts’: Doubling in Hamlet.” Eds. Lukas Erne and Margaret Jane Kidnie. Textual Performances: The Modern Reproduction of Shakespeare's Drama. Cambridge: Cambridge UP, 2004. 111-26

Thompson, Ann and Neil Taylor. “Variable Texts: Stage Directions in Arden 3 Hamlet.” Stage Directions in Hamlet: New Essays and New Directions. Eds. Hardin L. Aasand and Eric Rasmussen. Madison, NJ: Associated UP, 2003. 19-32. top

Traub, Valerie. “Rainbows of Darkness: Deconstructing Shakespeare in the Work of Gloria Naylor and Zora Neale Hurston.” Cross-Cultural Performances: Differences in Women's Re-Visions of Shakespeare. Eds.Marianne Novy and Peter Erickson. Urbana: U of Illinois P, 1993. 150-63.

Tylus, Jane. “‘Par Accident’: The Public Work of Early Modern Theater.” Eds. Gail Kern Paster, Katherine Rowe, Katherine, and Mary Floyd-Wilson. Reading the Early Modern Passions: Essays in the Cultural History of Emotion. Philadelphia: U of Pennsylvania P, 2004. 253-71.

Usher, Peter. “Advances in the Hamlet Cosmic Allegory.” Oxfordian: The Annual Journal of the Shakespeare Oxford Society 4 (2001): 25-49.

Usher, Peter. “Hamlet's Transformation.” Elizabethan Review 7.1 (1999): 48-64.

Usher, Peter. “Shakespeare's Support for the New Astronomy.” Oxfordian: The Annual Journal of the Shakespeare Oxford Society 5 (2002): 132-46. top

Wallace, Jennifer. “‘We Can't Make More Dirt ...’: Tragedy and the Excavated Body.” Cambridge Quarterly 32.2 (2003): 103-11.

Watson, Elizabeth S. “Old King, New King, Eclipsed Sons, and Abandoned Altars in Hamlet.” Sixteenth Century Journal: Journal of Early Modern Studies 35.2 (2004): 475-91.

White, R. S. “The Spirit of Yorick; Or, The Tragic Sense of Humour in Hamlet.” Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke 7.1-2 (1985): 9-26. top

Zamir, Tzachi. “Doing Nothing.” Mosaic: A Journal for the Interdisciplinary Study of Literature 35.3 (2002): 167-82.

Zimmerman, Susan. “Killing the Dead: The Ghost of Hamlet’s Desire.” Shakespeare Jahrbuch 140 (2004): 81-96. top