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Department of English
North Dakota State University
322 F Minard Hall
NDSU Dept. 2320
FARGO, ND 58108-6050

Phone: (701) 231-7152
E-mail: verena.theile@ndsu.edu

 

 


Shakespeare and Early Modern Drama
 
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
 

Acheson, Katherine O. “Hamlet, Synecdoche and History: Teaching the Tropes of 'New Remembrance.’” College Literature 31.4 (2004): 111-34.

Adelman, Janet. “‘Born of Woman’: Fantasies of Maternal Power in Macbeth.” Shakespearean Tragedy and Gender. Eds. Shirley Nelson Garner and Madelon Sprengnether. Indianapolis: Indiana UP, 1996.

Adelman, Janet. “‘Man and Wife is One Flesh’: Hamlet and the Confrontation with the Maternal Body.” Case Studies in Contemporary Criticism: Hamlet. Ed. Susanne L. Wofford. Boston: Bedford Books of St. Martin’s Press,1994. 256-82.

Adelman, Janet. “Masculine Authority and the Maternal Body in The Winter's Tale.” Ed. Alison Thorne. New Casebooks: Shakespeare's Romances. Basingstoke, England: Palgrave Macmillan, 2003. 145-70.

Adelman, Janet. “Masculine Authority and the Maternal Body in The Winter's Tale.” New Casebooks: Shakespeare's Romances. Ed. Alison Thorne. Basingstoke, England: Palgrave Macmillan, 2003. 145-70.

Aebischer, Pascale. “En-gendering Violence and Suffering in King Lear.Shakespeare's Violated Bodies: Stage and Screen Performance. Cambridge: Cambridge UP, 2003.

Aebischer, Pascale. “Murderous Male Moors: Gazing at Race in Titus Andronicus and Othello.Shakespeare's Violated Bodies: Stage and Screen Performance. Cambridge: Cambridge UP, 2003.

Aebischer, Pascale. “Not dead? Not yet quite dead?': Hamlet's Unruly Corpses.” Shakespeare's Violated Bodies: Stage and Screen Performance. Cambridge: Cambridge UP, 2003.

Aggeler, Geoffrey. Nobler in the Mind: The Stoic-Skeptic Dialectic in English Renaissance Tragedy. Newark: U of Delaware P, 1998.

Aguiar, Sarah Appleton. “(Dis)Obedient Daughters: (Dis)Inheriting the Kingdom of Lear.” He Said, She Says: An RSVP to the Male Text. Eds. Mica Howe and Sarah Appleton Aguiar. Madison, NJ: Associated UP, 2001. 194-210.

Ake, Jami. “Glimpsing a ‘Lesbian’ Poetics in Twelfth Night.” SEL: Studies in English Literature, 1500-1900 43.2 (2003): 375-94.

Albanese, Denise. “Making It New: Humanism, Colonialism, and the Gendered Body in Early Modern Culture.” Feminist Readings of Early Modern Culture: Emerging Subjects.Eds. Valerie Traub, M. Lindsay Kaplan, and Dympna Callaghan. Cambridge: Cambridge UP, 1996. 16-43.

Alfar, Cristina León. “Looking for Goneril and Regan.” Privacy, Domesticity, and Women in Early Modern England. Eds. Corinne S. Abate and Elizabeth Mazzola. Aldershot, England: Ashgate, 2003. 167-98.

Alfar, Cristina León. Fantasies of Female Evil: The Dynamics of Gender and Power in Shakespearean Tragedy. Cranbury, NJ: Associated UP, 2003.

Alter, Iska. “‘To see or not to see’: Interpolations, Extended Scenes, and Musical Accompaniment in Kenneth Branagh's Hamlet.” Stage Directions in Hamlet: New Essays and New Directions. Eds. Hardin L. Aasand and Eric Rasmussen. Madison, NJ: Associated UP, 2003.

Appler, Keith. “Deconstructing the Regional Theater with ‘Performance Art’ Shakespeare.” Theatre Topics, 5:1 (1995 Mar), pp. 35-51.

Armstrong, Philip. “Watching Hamlet Watching: Lacan, Shakespeare, and the Mirror/Stage.” Alternative Shakespeares, II. Eds. John Drakakis and Terence Hawkes. London: Routledge,1996. 216-37.

Astington, John. “Malvolio and the Eunuchs: Texts and Revels in Twelfth Night.” Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 46 (1993): 23-34.

Atchley, Clinton P. E. “Reconsidering the Ghost in Hamlet: Cohesion or Coercion?” Philological Review 28.2 (2002): 5-20. top

Barbour, Kathryn. “Flout 'em and Scout 'em and Scout 'em and Flout 'em: Prospero's Power and Punishments in The Tempest.” Ed. Gillian Murray Kendall. Shakespearean Power and Punishment: A Volume of Essays. Madison, NJ: Associated UP, 1998. 159-72.

Barker, Francis and Peter Hulme. “Nymphs and Reapers Heavily Vanish: The Discursive Con-Texts of The Tempest.” Alternative Shakespeares. Ed. John Drakakis. London, England: Routledge, 2002. 195-209.

Bartels, Emily C. “Othello on Trial.” New Casebooks: Othello. Ed. Lena Cowen Orlin. Basingstoke, England: Palgrave Macmillan, 2004. 148-70.

Bate, Jonathan. “Shakespeare's Foolosophy.” Shakespeare in Southern Africa: Journal of the Shakespeare Society of Southern Africa13 (2001): 1-10.

Bates, Laura Raidonis. “The Uses of Shakespeare in Criminal Rehabilitation: Testing the Limits of ‘Universality.’” Shakespeare Matters: History, Teaching, Performance. Ed. Lloyd Davis. Newark, DE: Associated UP, 2003. 151-63.

Battenhouse, Roy. “Comment and Bibliography.” Shakespeare’s Christian Dimension: An Anthology of Commentary. Ed. Roy Battenhouse. Indianapolis: Indiana UP, 1994. 250-4.

Bauer, Matthias. “Count Malvolio, Machevill, and Vice.” Connotations: A Journal for Critical Debate 1.3 (1991): 224-43.

Baughn, Gary. “The Skull beneath the Skin: Truth and Death in Hamlet.” Journal of the Wooden O Symposium 2 (2002): 9-27.

Baumann, Uwe, ed. Henry VIII in History, Historiography and Literature. Frankfurt: Peter Lang, 1992.

Beauregard, David N. “Shakespeare against the Skeptics: Nature and Grace in The Winter's Tale.” Shakespeare's Last Plays: Essays in Literature and Politics. Eds. Stephen W. Smith and Travis Curtright. Lanham, MD: Lexington, 2002. 53-72.

Beckwith, Sarah. “Stephen Greenblatt's Hamlet and the Forms of Oblivion.” Journal of Medieval and Early Modern Studies 33.2 (2003): 261-80.

Berger, Harry, Jr. “Impertinent Trifling: Desdemona's Handkerchief.” New Casebooks: Othello. Ed. Lena Cowen Orlin. Basingstoke, England: Palgrave Macmillan, 2004. 103-24.

Berger, Harry, Jr. “Three's a Company: The Spectre of Contaminated Intimacy in Othello.” The Shakespearean International Yearbook 4. Eds. Graham Bradshaw, Tom Bishop, Mark Turner, W. R. Elton, and John M. Mucciolo. Aldershot, England: Ashgate, 2004. 235-63.

Best, Jason S., Sara A. Maene, and Peter D. Usher. “New Light on the Elizabethan World View.” SRASP 25 (2002): 51-57.

Bethell, Tom, et al. “The Ghost of Shakespeare: Who, in Fact, Was the Bard: The Usual Suspect from Stratford, or Edward de Vere, 17th Earl of Oxford?” Harper's 298.1787 (1999): 35-62.

Bevington, David. “Tragedy in Shakespeare’s Career.” The Cambridge Companion to Shakespearean Tragedy. Cambridge: Cambridge UP, 2002. 50-68.

Blank, Paula. “Shakespeare's Equalities: Checking the Math of King Lear.” Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 15.2 (2003): 473-508.

Block de Behar, Lisa, David E. Johnson, and Margarita Vargas. “Miranda and the Salvation of the Shipwreck.” CR: The New Centennial Review 3.1 (2003): 1-23.

Bloom, Harold. “The Great Tragedies: Hamlet.” Shakespeare: The Invention of the Human. New York: Riverhead Books, 1998. 383-431.

Bloom, Harold. “The Great Tragedies: King Lear.” Shakespeare: The Invention of the Human. New York: Riverhead Books, 1998. 476-515.

Bloom, Harold. “The Great Tragedies: Macbeth.” Shakespeare: The Invention of the Human. New York: Riverhead Books, 1998. 516-545.

Bloom, Harold. “The Great Tragedies: Othello.” Shakespeare: The Invention of the Human. New York: Riverhead Books, 1998. 432-475.

Bloom, Harold. “The High Comedies: Twelfth Night.” Shakespeare: The Invention of the Human. New York: Riverhead Books, 1998. 226-248.

Bloom, Harold. “The Late Romances: Henry VIII.” Shakespeare: The Invention of the Human. New York: Riverhead Books, 1998. 685-692.

Bloom, Harold. “The Late Romances: The Tempest.” Shakespeare: The Invention of the Human. New York: Riverhead Books, 1998. 662-684.

Bloom, Harold. “The Late Romances: The Winter’s Tale.” Shakespeare: The Invention of the Human. New York: Riverhead Books, 1998. 639-661.

Boose, Lynda E. “'Let It Be Hid': The Pornographic Aesthetic of Shakespeare's Othello.” Women, Violence, and English Renaissance Literature: Essays Honoring Paul Jorgensen. Eds. Linda Woodbridge and Sharon Beehler. Medieval & Renaissance Texts & Studies 256. Tempe, AZ: Arizona Center for Medieval and Renaissance Studies, 2003. 243-68.

Borchardt, Frank L. “The Magus as Renaissance Man.” Sixteenth Century Journal 21.1 (1990): 57-76.

Bosman, Anston. “Seeing Tears: Truth and Sense in All Is True.” Shakespeare Quarterly 50.4 (1999): 459-76.

Bouwsma, William J. The Waning of the Renaissance, 1550-1640. New Haven: Yale UP, 2000.

Bradshaw, Graham. “Othello in the Age of Cognitive Science.” Shakespeare Studies 38 (2000): 17-38.

Brailow, David G. “‘Tis heere. ‘Tis gone’: The Ghost in the Text.” Stage Directions in Hamlet: New Essays and New Directions. Eds. Hardin L. Aasand and Eric Rasmussen. Madison, NJ: Associated UP, 2003.

Braunmuller, A. R. “The Arts of the Dramatist.” English Renaissance Drama. Eds. A. R. Braunmuller and Michael Hattaway. Cambridge, England: Cambridge UP, 2003.  53-92.

Brayton, Dan. “Angling in the Lake of Darkness: Possession, Dispossession, and the Politics of Discovery in King Lear.” ELH 70.2 (2003): 399-426.

Briggs, K. M. Pale Hecate’s Team: An Examination of the Beliefs on Witchcraft and Magic among Shakespeare's Contemporaries and His Immediate Successors. London: Routlegde and Kegan Paul, 1962.

Briggs, Robin. “The Scientific Revolution of the Seventeenth Century.” Seminar Studies in History. Ed. Patrick Richardson. New York: Harper & Row, 1969.

Briggs, Robin. Witches & Neighbors: The Social and Cultural Context of European Witchcraft. London: Penguin Books, 1996.

Bristol, Michael D. “‘Funeral-Bak’d Meats’: Carnival and the Carnivalesque in Hamlet.” Case Studies in Contemporary Criticism: Hamlet. Ed. Susanne L. Wofford. Boston: Bedford Books of St. Martin’s Press,1994. 348-367.

Bristol, Michael D. “The Festive Agon: The Politics of Carnival.” Twelfth Night. Ed. R. S. White. New York: St. Martin's, 1996. 72-81.

Brockbank, J. P. “The Tempest: Conventions of Art and Empire.” Shakespeare’s Later Comedies: An Anthology of Modern Criticism. Ed. D. J. Palmer. Harmondsworth, Middlesex: Penguin Books Ltd., 1971.

Bronfen, Elisabeth. “The Conspiracy of Gender: Hamlet's and Ophelia's Passionate Histrionics.” Shakespeare Jahrbuch 140 (2004): 66-80.

Brooks, Cleanth. “The Naked Babe and the Cloak of Manliness.” Twentieth Century Interpretations of Macbeth. Englewood Cliffs: Prentice-Hall, 1977.

Brotton, Jerry. “Ways of Seeing Hamlet.” Hamlet: New Critical Essays. Ed. Arthur F. Kinney. New York: Routledge, 2002. 161-176.

Brower, Reuben A. “The Mirror of Analogy: The Tempest.” A Case Study in Critical Controversy: The Tempest. Eds. Gerald Graff and James Phelan. New York: St. Martin’s Press, 2000. 183-202.

Brown, Dennis. “King Lear: The Lost Leader; Group Disintegration, Transformation and Suspended Reconsolidation.” Critical Survey 13.3 (2001): 19-39.

Brown, Paul. “‘This Thing of Darkness I Acknowledge Mine’: The Tempest and the Discourse of Colonialism.” A Case Study in Critical Controversy: The Tempest. Eds. Gerald Graff and James Phelan. New York: St. Martin’s Press, 2000. 205-28.

Brownlow, F. W.  “Shakespeare and Harsnett.” Shakespeare, Harsnet, and the Devils of Denham. Newark: U of Delaware P, 1993. 107-32.

Brownlow, Frank. “Richard Topcliffe: Elizabeth's Enforcer and the Representation of Power in King Lear.” Theatre and Religion: Lancastrian Shakespeare. Eds. Richard Dutton, Alison Findlay, and Richard Wilson. Manchester, England: Manchester UP, 2003. 161-78.

Burnham, Douglas. “Language, Time and Politics in Shakespeare's Macbeth.” Displaced Persons: Conditions of Exile in European Culture. Ed. Sharon Ouditt. Studies in European Cultural Transition 14. Aldershot, England: Ashgate, 2002. 21-32.

Burrow,Colin.”The Sixteenth Century.” The Cambridge Companion to English Literature: 1500-1600. Ed. Arthur F. Kinney. Cambridge: Cambridge UP, 2000. 11-28.

Bush, Douglas. “Pagan Myth and Christian Tradition in English Poetry.” Jayne Lectures for 1967. Philadelphia: American Philosophical Society, 1968.

Bush, Douglas. “The Renaissance: The Literary Climate.” The Renaissance Image of Man and the World. Ed. Bernard O’Kelley. Ohio: Ohio State UP, 1966. 53-76.

Bush, Douglas. English Literature of the Seventeenth Century: 1600-1660. 2nd rev. ed. London: Oxford UP, 1973.

Butler, E. M. The Myth of the Magus. Cambridge: Cambridge UP, 1948. top

Cahill, Edward. “The Problem of Malvolio.” College Literature 23.2 (1996): 62-82.

Callaghan, Dympna. “‘And All Is Semblative a Woman’s Part’: Body Politics and Twelfth Night.” Twelfth Night. Ed. R. S. White. New York: St. Martin's, 1996. 129-59.

Callaghan, Dympna. “‘Othello Was a White Man': Properties of Race on Shakespeare's Stage.” Alternative Shakespeares, II. Eds. John Drakakis and Terence Hawkes. London: Routledge,1996. 192-215.

Callaghan, Dympna. “'And All Is Semblative a Woman's Part': Body Politics and Twelfth Night.” Textual Practice 7.3 (1993): 428-52.

Cantor, Paul A. “Shakespeare's The Tempest: Tragicomedy and the Philosophic Hero.” Shakespeare's Last Plays: Essays in Literature and Politics. Eds. Stephen W. Smith and Travis Curtright. Lanham, MD: Lexington, 2002. 1-15.

Carney, Jo Eldridge. “Queenship in Shakespeare's Henry VIII: The Issue of Issue.” Political Rhetoric, Power, and Renaissance Women. Eds. Carole Levin and Patricia A. Sullivan. Albany: State U of New York P, 1995. 188-202.

Carroll, Clare. “Humanism and English Literature in the Fifteenth and Sixteenth Centuries.” The Cambridge Companion to Renaissance Humanism. Ed. Jill Kraye. Cambridge: Cambridge UP, 1996. 246-268.

Cartelli, Thomas. “Banquo’s Ghost.” Marlowe, Shakespeare, and the Economy of Theatrical Experience. Philadelphia: U of Pennsylvania P, 1991. 94-120.

Cartwright, Kent. “Scepticism and Theatre in Macbeth.” Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 55 (2002): 219-36.

Cavell, Stanley. “Hamlet's Burden of Proof.” Disowning Knowledge in Seven Plays of Shakespeare. Cambridge, England: Cambridge UP, 2003.

Cavell, Stanley. “Macbeth Appalled.” Disowning Knowledge in Seven Plays of Shakespeare. Cambridge, England: Cambridge UP, 2003.

Cavell, Stanley. “Othello and the Stake of the Other.” Disowning Knowledge in Seven Plays of Shakespeare. Cambridge, England: Cambridge UP, 2003.

Cavell, Stanley. “Recounting Gains, Showing Losses: Reading The Winter's Tale.” Disowning Knowledge in Seven Plays of Shakespeare. Cambridge, England: Cambridge UP, 2003.

Cavell, Stanley. “The Avoidance of Love: A Reading of King Lear.” Disowning Knowledge in Seven Plays of Shakespeare. Cambridge, England: Cambridge UP, 2003.

Chamberlain, Stephanie. “'She Is Herself a Dowry': King Lear and the Problem of Female Entitlement in Early Modern England.” Domestic Arrangements in Early Modern England. Ed. Kari Boyd McBride. Pittsburgh, PA: Duquesne UP, 2002. 169-87.

Chandler, David. “Lady Macbeth’s ‘milke’ and ‘gall:’ A Christian Idea?” English Language Notes 35.3 (1998): 25-8.

Charles, Casey. “Gender Trouble in Twelfth Night.” Theatre Journal 49.2 (1997):121-41.

Chin, Woon Ping. “Sycorax Revisited: Exile and Absence in Performance.” Modern Drama 46.1 (2003): 94-107.

Clark, Stuart, ed. Languages of Witchcraft : Narrative, Ideology, and Meaning in Early Modern Culture. New York : St. Martin's Press, 2001.

Clark, Stuart. Thinking with Demons: The Idea of Witchcraft in Early Modern Europe.  Oxford: Oxford UP, 1999.

Coddon, Karin S. “‘Suche Strange Desygnes’: Madness, Subjectivity, and Treason in Hamlet and Elizabethan Culture.” Case Studies in Contemporary Criticism: Hamlet. Ed. Susanne L. Wofford. Boston: Bedford Books of St. Martin’s Press,1994. 380-402.

Cohen, Derek. “‘Noseless, Handless, Hack'd and Chipp'd: Broken Human Bodies.” Searching Shakespeare: Studies in Culture and Authority. Toronto, ON: U of Toronto P, 2003.

Cohen, Derek. “King Lear and Memory.” Searching Shakespeare: Studies in Culture and Authority. Toronto, ON: U of Toronto P, 2003.

Cohen, Derek. “Messengers of Death: The Figure of the Hit Man.” Searching Shakespeare: Studies in Culture and Authority. Toronto, ON: U of Toronto P, 2003.

Cohen, Derek. “Slave Voices: Caliban and Ariel.” Searching Shakespeare: Studies in Culture and Authority. Toronto, ON: U of Toronto P, 2003.

Cohen, Derek. “The Past of Macbeth.” Shakespeare Matters: History, Teaching, Performance. Ed. Lloyd Davis. Newark, DE: Associated UP, 2003. 46-61.

Cohen, Derek. “The Scapegoat Mechanism: Shylock and Caliban.” Searching Shakespeare: Studies in Culture and Authority. Toronto, ON: U of Toronto P, 2003.

Cohen, Derek. “The Self-Representations of Othello.” Searching Shakespeare: Studies in Culture and Authority. Toronto, ON: U of Toronto P, 2003.

Cohen, Derek. “Tragedy and the Nation: Othello.” Searching Shakespeare: Studies in Culture and Authority. Toronto, ON: U of Toronto P, 2003.

Cohen, Stephen. “Between Form and Culture: New Historicism and the Promise of a Historical Formalism.” Renaissance Literature and Its Formal Engagements. Eds. Mark David Rasmussen and Richard Strier. New York: Palgrave, 2002. 17-41.

Coles, Jane. “Much Ado about Nationhood and Culture: Shakespeare and the Search for an ‘English’ Identity.” Changing English: Studies in Culture and Education 11.1 (2004): 47-58.

Collins, Stephen L. From Divine Cosmos to SovereignState: An Intellectual History of Consciousness and the Idea of Order in Renaissance England. Oxford: Oxford UP, 1989.

Collinson, Patrick. The Religion of Protestants: The Church in English Society, 1559-1625. Oxford: Clarendon Press, 1982.

Cook, Albert. “The Ordering Effect of Dramatized History: Shakespeare and Henry VIII.” Centennial Review 42.1 (1998): 5-28.

Cook, Kimberly K. “'I'll Ha' Thee Burnt': Patriarchal Purging in Othello and The Winter's Tale.” Journal of Evolutionary Psychology 17.1-2 (1996): 9-19.

Cook, Kimberly K. “'I'll Ha' Thee Burnt': Patriarchal Purging in Othello and The Winter's Tale.” Journal of Evolutionary Psychology 17.1-2 (1996): 9-19.

Cooley, Ronald W. “Speech versus Spectacle: Autolycus, Class and Containment in The Winter's Tale.” Renaissance and Reformation 21.3 (1997): 5-23.

Copenhaver, Brian P. “A Tale of Two Fishes: Magical Objects in Natural History from Antiquity through the Scientific Revolution.” Journal of the History of Ideas 52 (1991): 373-98.

 

Copenhaver, Brian P. “Did Science have a Renaissance?” Isis 82 (1992): 1-21.

 

Copenhaver, Brian P. “Natural Magic, Hermetism, and Occultism in Early Modern Science.” Reappraisals of the Scientific Revolution. Eds. David C. Lindberg and Robert S. Westman. Cambridge: Cambridge UP, 1990. 261-301.

 

Copenhaver, Brian P., and Charles B. Schmitt. Renaissance Philosophy. Oxford: Oxford UP, 1992.

Copenhaver, Brian. “Hermes Trismegistus, Proclus, and the Question of a Philosphy of Magic in the Renaissance.” Hermeticism and the Renaissance: Intellectual History and the Occult in Early Modern Europe. Eds. Ingrid Merkel and Allen G. Debus. Washington: Folger Books, 1988. 79-110.

Craig, Leon Harold. Of Philosophers and Kings: Political Philosophy in Shakespeare's Macbeth and King Lear. Toronto, ON: U of Toronto P, 2001.

Craig, Leon Harold. Of Philosophers and Kings: Political Philosophy in Shakespeare's Macbeth and King Lear. Toronto, ON: U of Toronto P, 2001.

Craig, Martha J. “The Rise of the Mother: Violation and Retribution of the Maternal Body in King Lear.” Journal of Evolutionary Psychology 24.1-2 (2003): 73-91.

Craven, William G. Giovanni Pico Della Mirandola: Symbol of his Age – Modern Interpretations of a Renaissance Philosopher. Geneva: Librairie Droz, 1981.

Crawford, Kevin. “'He Was Torn to Pieces with a Bear': Grotesque Unity in The Winter's Tale.” Journal of the Fantastic in the Arts 10.3 (1999): 206-30.

Crowl, Samuel. “Shakespeare at the Cineplex: The Kenneth Branagh Era.” Athens, OH: Ohio UP, 2003.

Curry, Patrick. “Revisions of Science and Magic.” History of Science 23 (1985): 299-325. top

Daalder, Joost. “Perspectives of Madness in Twelfth Night.” English Studies: A Journal of English Language and Literature 78.2 (1997): 105-10.

Danner, Bruce. “Speaking Daggers.” Shakespeare Quarterly 54.1 (2003): 29-62.

Dawson, Anthony B. and Paul Yachnin. The Culture of Playgoing in Shakespeare’s England: A Collaborative Debate. Cambridge: Cambridge UP, 2001.

De Grazia, Margreta. “Teleology, Delay, and the ‘Old Mole.’” Shakespeare Quarterly 50.3 (1999): 251-67.

De Grazia, Margreta. “The Ideology of Superfluous Things: King Lear as Period Piece.” Shakespeare's Tragedies. Ed. Susan Zimmerman. New York, NY: St. Martin's, 1998. 255-84.

De Grazia, Margreta. “When Did Hamlet Become Modern?” Textual Practice 17.3 (2003): 485-503, 612.

Dean, Paul. “‘Nothing That Is So Is So': Twelfth Night and Transubstantiation.” Literature & Theology: An International Journal of Religion, Theory, and Culture 17.3 (2003): 281-97.

Dean, Paul. “Murderous Repetition: Macbeth as Echo Chamber.” English Studies 80.3 (1999): 216-24.

Deans, Thomas. “Writing, Revision, and Agency in Hamlet.” Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 15:1 (2003): 223-43.

Deats, Sara. “The 'Erring Barbarian' and the 'Maiden Never Bold': Racist and Sexist Representations in Othello.” Women, Violence, and English Renaissance Literature: Essays Honoring Paul Jorgensen. Eds. Linda Woodbridge and Sharon Beehler. Medieval & Renaissance Texts & Studies 256. Tempe, AZ: Arizona Center for Medieval and Renaissance Studies, 2003. 189-215.

Debus, Allen, and Ingrid Merkel, eds. Hermeticism and the Renaissance: Intellectual History and the Occult in Early Modern Europe. Eds. Washington: Folger Books, 1988.

Debus, Allen. The Chemical Philosophy : Paracelsian Science and Medicine in the Sixteenth and Seventeenth Centuries. New York: Science History Publications, 1977. 

DeCoursey, Matthew. “The Logic of Inequality: Caliban's Baseness in The Tempest.” Cahiers Elisabéthains: Late Medieval and Renaissance Studies 64 (2003): 43-51.

Devereux, E. J. “Sacramental Imagery in The Tempest.” Bulletin de L’Association Canadienne des Humanites 19 (1968): 50-62. Rpt. (abridged) in Shakespeare’s Christian Dimension: An Anthology of Commentary. Ed. Roy Battenhouse. Indianapolis: Indiana UP, 1994. 254-7.

Di Biase, Carmine G. “'I Am as I have Spoken': The Act of Naming in Macbeth.” Renaissance and Reformation 25.1 (2001): 23-44.

Diehl, Huston. “Religion and Shakespearean Tragedy.” The Cambridge Companion to Shakespearean Tragedy. Ed. Claire McEachern. Cambridge: Cambridge UP, 2002. 86-102.

DiSanto, Michael John. “Nothing If Not Critical: Stanley Cavell's Skepticism and Shakespeare's Othello.” Dalhousie Review 81.3 (2001): 359-82.

Dolan, Frances E. “Reading, Writing, and Other Crimes.” Feminist Readings of Early Modern Culture: Emerging Subjects. Eds. Valerie Traub, M. Lindsay Kaplan, and Dympna Callaghan. Cambridge: Cambridge UP, 1996. 142-67.

Dollimore, Jonathan and Terry Eagleton. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. Basingstoke, England: Palgrave Macmillan, 2004.

Dreher, Diane Elizabeth. Domination and Defiance—Fathers and Daughters in Shakespeare. Lexington: The University of Kentucky Press, 1986.        

Dubrow, Heather and Richard Strier. The Historical Renaissance: New Essays on Tudor and Stuart Literature and Culture. Chicago: U of Chicago P, 1988.

Duffy, Eamon. “Bare Ruined Choirs: Remembering Catholicism in Shakespeare's England.” Theatre and Religion: Lancastrian Shakespeare. Eds. Richard Dutton, Alison Findlay, and Richard Wilson. Manchester, England: Manchester UP, 2003. 40-57.

Dutton, Richard, Alison Findlay, and Richard Wilson. Theatre and Religion: Lancastrian Shakespeare. Manchester, England: Manchester UP, 2003.

Dutton, Richard. “Jurisdiction of Theater and Censorship.” A Companion to Renaissance Drama. Ed. Arthur F. Kinney. Oxford: Blackwell Publishing, 2002. 223-36. top

Easlea, Brian. Witch Hunting, Magic, and the New Philosophy: An Introduction to Debates of the Scientific Revolution, 1450-1750. Brighton: Harvester Press, 1980.

Eaton, Sara. “‘Content with Art’?: Seeing the Emblematic Woman in The Second Maiden's Tragedy and The Winter's Tale.” Ed. Gillian Murray Kendall. Shakespearean Power and Punishment: A Volume of Essays. Madison, NJ: Associated UP, 1998. 59-86..

Egan, Gabriel. “The Early Seventeenth-Century Origin of the Macbeth Superstition.” Notes and Queries 49 (2002): 236-37.

Elam, Keir. “‘In What Chapter of His Bosom?’: Reading Shakespeare's Bodies.” Alternative Shakespeares, II. Eds. John Drakakis and Terence Hawkes. London: Routledge, 1996. 140-63.

Elam, Keir. “The Fertile Eunuch: Twelfth Night, Early Modern Intercourse, and the Fruits of Castration.” Shakespeare Quarterly 47.1 (1996): 1-36.

Ellison, James. “The Winter's Tale and the Religious Politics of Europe.” New Casebooks: Shakespeare's Romances. Ed. Alison Thorne. Basingstoke, England: Palgrave Macmillan, 2003. 171-204.

Ellison, James. “The Winter's Tale and the Religious Politics of Europe.” New Casebooks: Shakespeare's Romances. Ed. Alison Thorne. Basingstoke, England: Palgrave Macmillan, 2003. 171-204.

Enterline, Lynn. “‘You Speak a Language That I Understand Not’: The Rhetoric of Animation in The Winter's Tale.” Shakespeare Quarterly 48.1 (1997): 17-44.

Erne, Lukas and, eds. Textual Performances: The Modern Reproduction of Shakespeare's Drama. Cambridge, England: Cambridge UP, 2004.

Erne, Lukas. “Shakespeare and the Publication of His Plays.” Shakespeare Quarterly 53.1 (2002): 1-20.

Erne, Lukas. Shakespeare as Literary Dramatist. Cambridge, England: Cambridge UP, 2003.

Estok, Simon C. “Teaching the Environment of The Winter's Tale: Ecocritical Theory and Pedagogy for Shakespeare.” Ed. Lloyd Davis. Shakespeare Matters: History, Teaching, Performance. Newark, DE: Associated UP, 2003. 177-90.

Everett, Barbara. “Or What You Will.” Twelfth Night. Ed. R. S. White. New York: St. Martin's, 1996.  194-213.

Evett, David. “Luther, Cranmer, Service, and Shakespeare.” Eds. Daniel W. Doerksen and Christopher Hodgkins. Centered on the Word: Literature, Scripture, and the Tudor-Stuart Middle Way. Newark, DE: U of Delaware P, 2004. 87-109. top

Favila, Marina. “‘Mortal Thoughts’ and Magical Thinking in Macbeth.” Modern Philology: A Journal Devoted to Research in Medieval and Modern Literature 99.1 (2001): 1-25.

Felperin, Howard. “‘Tongue-Tied, Our Queen?’: The Deconstruction of Presence in The Winter's Tale.” Ed. Kiernan Ryan. Shakespeare: The Last Plays. London, England: Longman, 1999. 187-205.

Fernie, Ewan. Shame in Shakespeare. London: Routledge, 2002.

Finkelstein, Richard. “Disney's Tempest: Colonizing Desire in The Little Mermaid.” Eds. Brenda Ayres and Susan Hines. The Emperor's Old Groove: Decolonizing Disney's MagicKingdom. New York, NY: Peter Lang, 2003. 131-47.

Fitzpatrick, Joseph and Reynolds, Bryan and Segal, Janna. “Venetian Ideology or Transversal Power? Iago's Motives and the Means by Which Othello Falls.” Performing Transversally: Reimagining Shakespeare and the Critical Future. Eds. Bryan Reynolds, Janelle Reinelt, and Jonathan Gil Harris. New York: Palgrave Macmillan, 2003. 53-83.

Fleming, James Dougal. “Prevent Is Not Prevent: Rape and Rhetoric in The Tempest.” Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 15.2 (2003): 451-72.

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