Films and Adaptations
Laurence Olivier. Henry V. (1944)
Orson Welles. Chimes at Midnight. (1966)
David Giles. Henry IV, Pt. 1; Henry IV, Pt. 2; Henry V. (BBC TV, 1979)
Kenneth Branagh. Henry V. (1989)
Gus Van Sant. My Own Private Idaho. (1991)
Criticism
Aebischer, Pascale. “Gender Studies: Shakespeare, Sex, and Violence: Negotiating Masculinities in Branagh’s Henry V and Taymor’s Titus.” A Concise Companion to Shakespeare on Screen. Ed. Diana E. Henderson. Malden: Blackwell Publishing Ltd., 2006. 112-132.
Andrew, Dudley. Film in the Aura of Art. "Realism, Rheotric and the Painting of History in Henry V." Chapter 8. Princeton, NJ: Princeton University Press, 1986. ISBN: 9780691014319.
Crowl, Samuel. “Fathers and Sons: Kenneth Branagh Henry V.” Shakespeare Observed: Studies in Performance on Stage and Screen. Athens: Ohio UP, 1992. 165-174.
---. “The Long Good-Bye: Welles and Falstaff.” Shakespeare Observed: Studies in Performance on Stage and Screen. Athens: Ohio UP, 1992. 35-50.
---. “The Words of Mercury and the Songs of Apollo: Branagh’s Journey from Henry V to Love’s Labor’s Lost.” Shakespeare at the Cineplex: The Kenneth Branagh Era. Athens: Ohio UP, 2003. 25-46.
Davies, Anthony. “The Shakespeare Films of Laurence Olivier.” The Cambridge Companion to Shakespeare on Film. Ed. Russell Jackson. Cambridge: Cambridge UP, 2000. 163-182.
Donaldson, Peter. "Claiming from the Female: Gender and Representation in Laurence Olivier's Henry V." In Shakespearean Films/Shakespearean Directors. Boston, MA: Unwin and Hyman, 1990, pp. 1-30. ISBN: 9780044452300.
Green, Douglas. “Shakespeare, Branagh, and the ‘Queer Traitor’: Close Encounters in the Shakespearean Classroom.” The Reel Shakespeare: Alternative Cinema and Theory. Eds. Lisa S. Sparks and Courtney Lehmann. Cranbury, NJ: Rosemont Publishing & Printing Corp., 2002. 191-211.
Greenblatt, Stephen J. "Invisible Bullets." In Shakespearean Negotiations. Berkeley, CA: University of California Press, 1989, ch. 2, pp. 21-65. ISBN: 9780520061606.
Guneratne, Anthony R. “Cinema: ‘Thou Dost Usurp Authority’: Beerbohm Tree, Reinhardt, Olivier, Welles, and the Politics of Adapting Shakespeare.” A Concise Companion to Shakespeare on Screen. Ed. Diana E. Henderson. Malden: Blackwell Publishing Ltd., 2006. 31-53.
Hatchuel, Sarah. “Case Studies (Hamlet, Richard III, Othello, Julius Cesar, Henry V).” Shakespeare: From Stage to Screen. Cambridge: Cambridge UP, 2004. 152-176.
Hedrick, Donald K. “War is Mud: Branagh’s Dirty Harry V and the Types of Political Ambiguity.” Shakespeare, the Movie II: Popularizing the Plays on Film, TV, Video, and DVD. Eds. Richard Burt and Lynda E. Boose. London: Routledge, 2003. 213-230.
Howlett, Kathy M. “Utopian Revisioning of Falstaff’s Tavern World: Orson Welles’s Chimes at Midnight and Gus Van Sant’s My Own Private Idaho.” The Reel Shakespeare: Alternative Cinema and Theory. Eds. Lisa S. Sparks and Courtney Lehmann. Cranbury, NJ: Rosemont Publishing & Printing Corp., 2002. 165-190.
Jackson, Russell. "Two Films of Henry V: Frames and Stories." In Collection Astraea, No.4:The Show Within: Dramatic and Other Insets. English Renaissance Drama (1550-1642) (Proceedings of the International Conference held in Montpelier, 22-25 Novembre [sic], 1990. Edited by Francois Laroque. Montpelier, Canada: Universite Paul-Valery-Montpelier III: Centre d'Etudes et de Recherches Elisabethaines, 1991?, pp. 181-197.
Jorgens, Jack J. “Laurence Olivier’s Henry V.” Shakespeare on Film. Bloomington: Indiana UP, 1977. 122-135.
---. “Orson Welles’s Chimes at Midnight (Falstaff).” Shakespeare on Film. Bloomington: Indiana UP, 1977. 106-121.
Lehmann. Courtney. “‘There Ain’t No ‘Mac’ in the Union Jack’: Adaptation and (O)mission in Henry V.” Shakespeare Remains: Theater to Film, Early Modern to Postmodern. Ithaca: Cornell UP, 2002. 190-212.
Lyons, Bridget Gellert, ed. Chimes at Midnight. New Brunswick, NJ: Rutgers University Press, 1989. ISBN: 9780813513393.
Manvell, Roger. “Laurence Olivier and the Filming of Shakespeare.” Shakespeare and the Film. London: Praeger Publishers, 1971. 37-54.
---. “Shakespeare by Orson Welles.” Shakespeare and the Film. London: Praeger Publishers, 1971. 55-71.
Mason, Pamela. “Orson Welles and filmed Shakespeare.” The Cambridge Companion to Shakespeare on Film. Ed. Russell Jackson. Cambridge: Cambridge UP, 2000. 183-198.
Rothwell, Kenneth S. (1999). “Orson Welles: Shakespeare for the Art Houses.” A History of Shakespeare on Screen: A Century of Film and Television. 2nd Ed. Cambridge: Cambridge UP, 2004. 69-90.
Wiseman, Susan. “The Family Tree Motel: Subliming Shakespeare in My Own Private Idaho.” Shakespeare, the Movie II: Popularizing the Plays on Film, TV, Video, and DVD. Eds. Richard Burt and Lynda E. Boose. London: Routledge, 2003. 200-212.
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