About the Exhibition

(Un)Disturbed Use and Occupation is a project that draws from the language used in Article II of the 1868 Fort Laramie Treaty between the United States and bands of the Lakota in the wake of the Powder River War, primarily the clause which states that the lands described shall be “set aside for the absolute and undisturbed use and occupation of the Indians herein named.” That undisturbed use lasted for roughly six years before the US Army entered the Black Hills searching for gold, and officially ended with the 1877 Sell or Starve Bill in which the land was reopened for homesteaders and gold prospectors, all people who came and put their hopes and dreams for a better life into the earth which often turned to dust. Every abandoned farm, home, or life on the prairie in the pursuit of Westward Expansion came at the expense of the Indigenous peoples who had to be displaced, and were often built on lies started by those with something to gain from the failures of others. The photos in this series focus on but sometimes extend beyond Treaty territory and encompass Oceti Sakowin Ancestral Territory.

For more information on this exhibition, please visit the Memorial Union Gallery on the second floor of NDSU’s Memorial Union or email ndsu.mugallery@ndsu.edu. The Gallery is open 9am-5pm, Monday through Friday or by appointment.

The reception will also be live-streamed.

This project is supported in part by a grant from the North Dakota Council on the Arts, which receives funding from the state legislature and the National Endowment for the Arts.

a photo of a tree house and field

Artist Spotlight

About the Artist

This exhibition is curated by NDSU Public History Undergraduate Joseph Stern and features the work of Photographer and NDSU alumni Tyrel Iron Eyes. Tyrel belongs to the Standing Rock Lakota and Dakota Nation, spending his life within Oceti Sakowin territory. His photography focuses on Lakota/Dakota histories within his people’s homelands, emphasizing the Treaties, their implications, and their ongoing violations. As a photographer, an archaeologist, a hunter, and a Lakota, his identity is tied inextricably to the land.

A self portrait photograph of Tyrel Ironeyes

Past Exhibitions

The Memorial Union Gallery hosts twelve exhibitions a year featuring visiting artists, artwork from the collections, undergraduate and graduate students as well as themed exhibitions exploring the complex issues of our time. You can view artworks by Zig Jackson, Carole Frances Lung, Leeya Rose Jackson and hundreds of artists by clicking below.

A woman with her back turned views photographs by Zig Jackson in the Gallery